Before my eyes
cut liquid flame,
the cracked, unsteady knife
of gods now drunk
on human lust,
yon fleeing from this life.
Before my eyes
cut liquid flame,
the cracked, unsteady knife
of gods now drunk
on human lust,
yon fleeing from this life.
If you can sit in silence
as distant footfalls
climb crooked stairs
and leave their feet
to tread old paths,
as sunlight warms
the frigid hall
and melts the frost
from aching bones,
as a slight draught
creaks an open door
and an hour passes
in the space of a breath,
you may find
that I envy you,
for my hour passed
in the space of two.
Here in the silence
an impetuous mess,
A jumble of thoughts
And firework mines,
where misplaced steps
come roman candles
Or unshaded blows
crushing ears and hearts.
I had a teacher once
who got choked up
reading us a chapter
from her favorite book.
We all looked around,
Waiting,
Not sure what to do
Not sure what to say,
As if that age old
“Talk amongst yourselves”
ever inspired anyone to speak.
There was a wolf in some snow,
And then it got shot,
and that’s where she stopped.
And we were sitting,
Thumb-twiddling,
Expected to look away,
As if she couldn’t bear to feel
To admit
that she felt something,
Anything,
For a wolf that wasn’t real.
But who says what’s real?
You remember them, don’t you?
Those moments,
pure and intense,
From your favorite film,
Lyrics and quotes,
impassioned and compelling
And ever so appropriate,
running in your head for days.
We know logically that
“it’s not real,”
thank our lucky stars that
it’s not us,
yet there it is.
The anguish,
The fury,
The untenable yearning
Of those we might
Learn to know
As we know ourselves.
It knocks and calls out and
Looks the wrong way
Through the peephole.
It insists-
It pounds and hollers
Until it’s ringing in your dreams.
Then the door goes,
Because you kind of forgot
To fasten the lock-
And it’s got you,
Taking as its own what was yours,
Only yours,
Sacred ground in the heart of You.
Now that false,
“it’s not real” story
is breathing,
using your lungs,
settling in for the long haul.
And what shall we say then?
“There is a thing in me,
and it understands
and explains
and is who I am,
don’t you see?”
No, because they won’t.
And one day
You’re walking in the street,
and some words over coffee
make you think of a scene-
And the images burn behind your eyes
And the words fly apart in your head,
And you turn to look
And your lungs are full of snow
And a shot’s ringing in your ears
And a crying wolf slips away in the crowd,
As if it couldn’t bear to feel
To admit
that it felt something,
Anything,
For someone that wasn’t real.
The movie is over
and I would like
to show you something.
Emotions laid out,
shaped and hued by words,
perhaps my own, but then,
if not mine, whose,
and I wish my heart was real,
a thing for the seeing,
understood, not admired
or loved,
but acknowledged,
and would you see me then,
exposed,
logically flawed
in an unbound tempest
of sentimental drudge.
And here is my pen, stabbing,
trying to find a vein
so you can see
what is in me,
but there is nothing.
It flees
or fails
or simply isn’t real.
Oh, had I
so easily forgotten
my heart
is not a thing.
It is a hole
and I live in it
and someday,
maybe,
I’ll find a way
to show you.
Why are you looking at me like that?
Don’t act like you see me.
Don’t try to acknowledge my existence.
This is the metro.
Look, don’t get all serious, okay?
It’s just some girl being harassed.
Come on, admit it, it’s a little funny, right?
This is the metro!
Oh, I get it. You think you’re better than us.
You’d best shape up, buddy.
This is the metro.
And in the metro, you leave decency at the door.
I know of a house,
full of splendid, cluttered rooms,
hard to find rooms,
rooms that move and shuffle
to welcome new rooms,
say goodbye to the old.
Draughts unclose doors,
slam them back too-quick.
The doorbell rings, and
I’m on my way to answer
the library, so I’ll
have a quick read, mayhap,
or a nibble in the
ringing doorbell.
But who is it?
These bannisters,
mahogany?
are dirty, and
I should clean the
goddamn doorbell!
Leave me be!
I finally found that old
hungry for some lunch.
And I’m tired,
tired of open doors.
It’s time to do some closing, but
I’ve lost the keys.
The train doors open and
her guts spill out,
and the river grows, and
the river flows, down
into the station, up
onto the streets,
into the sea of us.
The train doors open and
The they all crush in, scrabbling
after that minute space
between comfort and misery,
to settle and ride that dead beast
down,
down
into the fetid earth.